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The idea of Carte Blanche is to provide a platform for contemporary art now. Local and International creatives and artists will be given the opportunity to show their works in a virtual gallery online and a gallery space at the Aurora premises.

 

august 2020

Elisabeth Oberrauch

Elisabeth Oberrauch is in her element when traveling, exploring and on the move. She creates something new and not yet seen in this form. She collects impressions and stories during her stays in exotic countries and transforms these precious treasures in the form of self-painted travel books, ceiling-high picture scrolls and various objects made of paper into tangible works of art after an elaborate work in her studio in Merano. The Hotel Aurora is showing a selection of special works with the Carte Blanche platform and aims to bring the magic, smells and poetry of the artists´ travel closer to visitors. The haptic and surface structure of Elisabeth Oberrauchs' works are an homage to the merging of travel souvenirs and keepsake from the countries visited with handmade paper made from old maps, linen or silk.

I haven’t been everywhere yet, but it’s on my list!
— Susan Sontag
 

About

Elisabeth Oberrauch was born 1950 in Merano, Italy where she works and lives with her family. She studied the masterclass of painting from 1971-1972, in Graz, Austria, participated at the international summer academy in Salzburg, Austria and did the academy for graphic arts in Venice, Italy 1990-1992.

She has been represented in a large number of individual and group exhibitions locally and internationally for over 40 years and has been organizing interdisciplinary working weeks in St. Konstantin, Völs as advanced training for visual artists, musicians and landscape designers since 2005.

In the selection of works shown at the Aurora Hotel premises the artist avoids the object as a pictorial motif on her flat, precisely held canvases and, in contrast to her travel diaries, opts for the expressiveness of pure painting. For a painting that is shaped in equal parts by the impressions of what is seen, for example the eye, and memories. Fragments of naturalistic details can still be recognized, but these are mixed with the abstract and poetic.  The artist sets vegetative forms and signs in the atmospheric colored surfaces, dominated by warm earth tones; There is a marriage of line and surface, of gesture and painting. Image titles with associations such as “Saikung”, “Arkadia”, “Monogramm” or “Waterfall” facilitate the access and connection for the visitor and provide information about what is not - visible on the first hand.

The digitally overloaded present with endless blogs and loads of photos uploaded to the Internet in real time is contrasting, tho the approach of Elisabeth Oberrauch, whose sensual materiality sets a strong antithesis to inflationary digital reporting. The artist has a long tradition with her travel books as she has been traveling the world for 25 years and every time takes a book, which is elaborately hand-bound with special papers, with her. She will fill the unique „diary"with her impressions in the course of the trip: sketches, watercolors, drawings, found objects. Since the Renaissance, sketches and impressions of foreign countries have appeared in art and science, adventurers and discoverers supplemented their diaries with pictures and drawings.

Oberrauch's books, each of a unique character, contain a total of more than 1000 pictures, none of which have been revised. Each of these books breathes the spirit of the immediate and the atmosphere of the travel destination, be it through picked-up ornaments, the predominant color scheme or the found objects kept in small transparent bags. Turquoise is the color of Asia, India in shining blossoms. When leafing through the volumes, the viewer reveals not only the visual but also a haptic-material level.

During the exhibition at the Aurora hotel the artist will scroll trough her books and visitors will be given the opportunity to touch and feel them first hand.

 

The work shown at the Aurora

SAIKUNG

Eitempera und Acryl auf Leinwand, Masse: 240 x 137 cm

Dieses Werk entstand in der 2 jährigen Schaffens Phase zum Leben von Josef Freinademetz, der in China (1852 – 1908) ein heilig mäßiges Leben führte. Durch meine Reise nach China und durch die Auseinandersetzung mit deren Kultur entstand das Bild SAIKUNG. SAIKUNG ist ein Fischerdorf auf einer, von immergrünen Hügeln umsäumte Bucht, im Hinterland von Hongkong. Es ist ein Bild, gemalt aus der Vogelperspektive.

MONOGRAMM

Eitempera auf Leinwand, Masse 150 74 cm

Jedes Land hinterlässt beeindruckende Spuren und Fragmente auf Stoffen und gewobenen Stücken. Sie sind Zeugnisse von gelebter Kultur.

ASIATISCHE REISEBÜCHER

KAMBOTSCHA/VIETNAM, 2001, Langstichheftung, Taschen, 77 Seiten, 36 Aquarelle, 11 Zeichnungen

ASIATISCHE REISEBÜCHER

KAMBOTSCHA/VIETNAM, 2001, Langstichheftung, Taschen, 77 Seiten, 36 Aquarelle, 11 Zeichnungen

ASIATISCHE REISEBÜCHER

CHINA, 2005, Langstichheftung, Taschen, 65 Seiten, 21 Aquarelle, 17 Zeichnungen

ASIATISCHE REISEBÜCHER

SÜDKOREA, 2010, Langstichheftung, 34 Seiten, 13 Aquarelle, 27 Zeichnungen

ASIATISCHE REISEBÜCHER

LADAKH/INDIEN 2011, Fadenbindung, Taschen, 54 Seiten, 29 Aquarelle, 14 Zeichnungen

ASIATISCHE REISEBÜCHER

LADAKH/INDIEN 2011, Fadenbindung, Taschen, 54 Seiten, 29 Aquarelle, 14 Zeichnungen

LEPORELLOS

Masse Höhe 31 cm, Breite 71 cm, 6 teilig,
Schuber Höhe 32,8 cm, Breite 12,8 cm

LEPORELLO

WASSERFALL 2, TÜRKIS UMRANDET

Collagemit diversen Papieren, Leinen

LEPORELLO

WASSERFALL 4, NEBELVERHÜLLT

Handdruck, Papier handgeschöpft

LEPORELLO

WASSERFALL 6, AUS DEN BERGEN ERGIESSEND

Handdruck, alte Karte, Papier Handgeschöpft, Japan Papier

KARTE

Eitempera und Acryl auf Leinwand, Masse: 150 x 90 cm

Zu jeder Reise gehört die Beschäftigung und das Studium von Landkarten. Die grafische Vorstellung von Landstrichen und Kultur geben Orientierung zu einem unbekannten Land.

ARKADIA

Acryl auf Leinwand, doppelseitig bemalt, Masse: 260 x 87 cm

Zu jeder Reise gehört die Begegnung mit Menschen zu den wichtigsten Bereicherungen. Erst dadurch wird die fremde Kultur verständlich und nachvollziehbar.

ASIATISCHE REISEBÜCHER

KAMBOTSCHA/VIETNAM, 2001, Langstichheftung, Taschen, 77 Seiten, 36 Aquarelle, 11 Zeichnungen

ASIATISCHE REISEBÜCHER

CHINA, 2005, Langstichheftung, Taschen, 65 Seiten, 21 Aquarelle, 17 Zeichnungen

ASIATISCHE REISEBÜCHER

CHINA, 2005, Langstichheftung, Taschen, 65 Seiten, 21 Aquarelle, 17 Zeichnungen

ASIATISCHE REISEBÜCHER

LADAKH/INDIEN 2011, Fadenbindung, Taschen, 54 Seiten, 29 Aquarelle, 14 Zeichnungen

LEPORELLO

WASSERFALL 1 , WEISS SCHÄUMEND

Handdruck, Papier handgeschöpft, alte Karte, Leinen

LEPORELLO

WASSERFALL 3, WEISS UND SCHWARZ

Tuschezeichnung auf Seidenpapier, Leinen

LEPORELLO

WASSERFALL 5, KRISTALLKLAR

Handdruck, Seidenpapier, Leinen

 
 

Event Photos

 

 
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THE IDEA

The aim is to curate the Hotel’s art specifically - we want there to be good stories and a lasting wellbeing for the guests as well as try to make them have a unique and distinctive experience. The interplay of art design and the Hotel Aurora’s architecture is what characterizes this special place in South Tyrol. The historic hotel in Merano is marked by art treasures and designer pieces that one can find throughout the hotel as well as in every room and this is what makes the Aurora so outstanding. Carte Blanche will host about 6 art exhibitions per year and is keen on giving artists the opportunity to also create site specific works for the hotel that will be shown permanently. The shown art works as well as art editions of works on display will be available at the Hotels Aurora’s own art corner.

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THE CURATOR

The upcoming exhibitions will be curated by the freelance curator Eva von Ingram Harpf. Curator Eva von Ingram Harpf, 1987, after graduating from Bocconi University in Milan with a thesis in Art Banking worked at Johann König Gallery in Berlin, as well as Ghetta Gallery, Ortisei and holds a Master´s degree in Contemporary Art from Sothebys London. Since 2012 she works as an independent curator and art adviser and is based in Bolzano, Südtirol, Italy. She is a member of the board of ar/ge Kunst Bozen and founder of y-contemporary platform.

 

past artist